madonna

Cut it out!

SHARMILA NAIR alltherage@thestar.com.my

 

OKAY, this feud between Madonna and Lady Gaga is starting to get silly and downright annoying.

 

Last week, right before Madonna kicked off her MDNA world tour, a video of the performer singing a mash-up of her and Lady Gaga’s songs went viral.

 

In the video, Madonna slipped Gaga’s Born This Way chorus into her own Express Yourself, and ended it by incorporating her She’s Not Me track into the medley. Very subtle, that Madonna, at telling the world that Gaga is the copycat and not her.

 

Now, this drama started last year (that’s how old this spat is) when Lady Gaga released her Born This Way single and everyone (Madonna included) noticed how similar it sounded to the Queen of Pop’s 1989 hit Express Yourself.

 

So, it was only natural that everyone accused Gaga of copying not only Madonna’s outrageous and controversial personal style (from Madge’s earlier years) but her music as well. To be fair, Gaga has always cited Madonna as one of her biggest musical inspirations and said she grew up listening to the pop diva’s music.

 

Last year, when NME magazine asked Gaga about the two tracks, she said: “I will look you in your eyes and tell you that I am not dumb enough or moronic enough to think that you are dumb enough or moronic enough not to see that I would have stolen a melody. “If you put the songs next to each other, side by side, the only similarities are the chord progression.”

 

Meanwhile, Madonna went on US television programme 20/20 and said (about Gaga citing her as a musical inspiration): “She’s a very talented artiste. I certainly think she references me a lot in her work. And sometimes I think it’s amusing and flattering and well done. (Her songs seem to be a) statement about taking something that was in the zeitgeist, you know, 20 years ago and turning it inside out and reinterpreting it.”

 

In the same interview, Madonna, 53, said that when she first heard Born This Way on the radio, she couldn’t help but think that the song sounded very familiar. “It felt reductive,” she said.

 

There have been many instances where Lady Gaga has been cited as the one female artiste who could surpass Madonna’s influence in the music industry in this era. Gaga, who is active on social media site Twitter, is set to hit the 25 million followers mark very soon.

 

Her songs are relevant to the younger generation today and her music videos have been viewed over one billion times on YouTube.

Madonna, on the other hand, has, well, just been Madonna – changing her looks, doing yoga, and walking around town in the arms of a younger man.

 

While most of us have already moved on from the Lady Gaga-Madonna “personality/music theft” drama (it has been over a year already, for goodness sake) and have accepted the former as the quirkier and more talented younger version of the latter, it’s obvious that Her Madgesty herself hasn’t.

 

The dig in the video seemed a little personal, and quite unnecessary, actually; and even Gaga felt that way.

Mother Monster hit back at Madonna during her gig in Auckland, New Zealand, last week, telling fans: “You could never invalidate the power of Born This Way. I don’t want to be your queen, I want to be your friend.”

 

The 26-year-old also added: “I don’t even want to fight back because it’s more important to me to keep writing music. Because that’s really all I care about, the music. Things are really different than they were 25 years ago, and that’s what makes Born This Way so relevant for me. We’re socially in a different place and it’s OK, we don’t have to all slice and hate each other any more.”

 

Well said, Gaga. Now we only have to wait for Madonna to give her piece of mind….

 

Sharm says: Ugh, I can’t pick a side, I hate them both. Team Britney Spears FTW.

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Camera, roll, action!

If you haven’t heard the news already, the Queen of Pop Madonna has a new movie out and it sucks.

Hard.

According to some critics who saw the movie at the Venice Film Festival recently, Madonna’s W.E. is a real waste of time, effort and energy. It’s that bad.

And as surprising as this may sound to some, this is not the singer’s first foray into filmmaking. She has actually done this “mistake” before.

Madonna at the premiere of W.E.

In 2008, her directorial debut Filth And Wisdom premiered at the Berlin Film Festival to terrible reviews. No surprise there.

The Guardian’s movie critic Peter Bradshaw wrote of Filth And Wisdom: “Well, it had to happen. Madonna has been a terrible actor in many, many films and now – fiercely aspirational as ever – she has graduated to being a terrible director.” And he was being nice.

The movie, about a Ukrainian immigrant who supports his dream of being a rockstar by moonlighting as a cross-dressing dominatrix, only had a limited release (thankfully) in the United States.

Unfortunately for Madonna (and ardent cinemagoer), many critics claim that her second directorial effort is equally as bad, if not worse, as her first movie. Ouch!

W.E. is Madonna’s take on the story of Wallis Simpson – the American socialite for whom King Edward VIII abdicated the British throne prior to the Second World War. We have seen the other side of the story (not all, just some of it) in last year’s The King’s Speech. Heard of that movie? Well, that one won a couple of Oscar awards. Its director, Tom Hooper, even bagged a Best Director Oscar. No biggie.

Well, if Madonna had aspired to win any kind of award for this movie, we fear that the only one she could be in the running for is a Razzie (the award that “celebrates” the worst in film).

As to why she was interested in the project, Madonna said in a press conference that she was totally enamoured by King Edward VIII’s gesture.

* Material Girl *

“I was completely and utterly swept up the reason that this man King Edward VIII would give up his throne for the woman he loves. Why he would relinquish his great position of power for love? I wanted to get to the bottom of it, I wanted to investigate I wanted to find out why. That was my original attraction.”

Oh, if only she didn’t bother to find out. And to make matters worse, her two ex-husbands had pushed her to explore her curiousity and passion for this particular subject.

“I am and was attracted to very creative people which is why I married Sean Penn and Guy Ritchie, two very talented directors. They both encouraged me as a director and as a creative person to do what I did, and they were both very supportive,” she was quoted as saying.

Now that we know who to “blame”, let’s hope that they would not encourage her to pursue her (not-going-to-happen-in-a-big-way) directorial career by stating “third time’s the charm.”

While on the subject of being behind-the-scenes, Madonna is not the only singer/actress who has been trying her hand at directing movies.

Academy Award winner (and the sexiest humanitarian and mother in the world, IMHO) Angelina Jolie has also worn the director’s hat before.

*Mother, humanitarian, actress, (kinda) Mrs. Brad Pitt, gorgeous *

The actress is set to release her feature directorial debut In The Land Of Blood And Honey at the end of this year. The movie is set against the backdrop of the 1990s Bosnian Civil War and the actress has said that she “wanted to tell a story of how human relationships and behavior are deeply affected by living inside a war”.

Hopefully, the pouty-lipped actress tells the story well and doesn’t embarrass herself and her fans in the process.

While Angelina’s fate as a director is still yet to be determined, her “rival” Jennifer Aniston has fared pretty well in this department.

Jennifer co-directed Room 10, which is a film based on a true story by Glamour magazine reader Colleen Goldrick. The film was made for the magazine’s Short Film Series in 2006.

Jennifer worked with her friend Andrea Buchanan to tell the story of nurse Frannie (played by Robin Wright), who, while in a difficult time in her her marriage and life, encounters interesting patients at the hospital she works.

The short film received good reviews and Jennifer is now in the middle of directing Five – an anthology of five short films exploring the impact of breast cancer on people’s lives.

* Not a bad director, this gal *

Besides Jennifer, other female actresses like Drew Barrymore and Jodie Foster have also successfully crossed over to the directorial side and have proven that they don’t actually suck at it.

Erm, maybe that cannot be honestly said for Jodie’s recent flick The Beaver with Mel Gibson. Like its title (and Mel’s terrible attitude), the movie, too, was unfortunately horrible.

Sharm says: Oh well, everyone is allowed their one mistake. Well, except in Madonna’s case, it’s two.

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